Today we bring you a (if you can believe it) new perspective on the Beatles story, as Dierdre Kelly joins me to discuss her fascinating book 'Fashioning The Beatles: The Looks That Shook The World', in which she unpacks the journey of the Fab Four's style across their careers, how they influenced and were influenced by fashion and the culture at large. From the edgy elegance of their early years, the contradictions between their working class drawl and sharp presentation, the rapid pace of change in both their look and sound, how they helped popularise corduroy, the rise of menswear as a form of cultural expression and the case for Ringo Starr as the most stylish Beatle.

Today I'm joined by songwriter, multi-instrumentalist and co-founder of The Lumineers, Jeremiah Fraites, to wax rhapsodic on Radiohead's iconic 1997 album 'OK Computer'. We talk about Jeremiah's journey from hating to loving Radiohead as a teenager, the album's diverse but coherent sound, the album's sonic easter eggs, the balance of performed and constructed elements, the early live incarnations of the OK Computer songs, road testing songs in the pre-iPhone era, the power of boredom as creative fuel and more. We also breakdown Jeremiah's beautiful interpretation of 'No Surprises', featured on his new album 'Piano Piano 2', and the process of arranging the song and recording with Gregory Alan Isakov.

Today I'm joined by Ed Nash, bassist of UK indie heroes Bombay Bicycle Club, down the line from North London to chat about Kurt Vile's modern classic 2011 album, 'Smoke Ring for My Halo'. Ed talks about discovering the album on tour in Australia, how it became the soundtrack of BBC's breakthrough period, listening to it on repeat on tour, the sonic space and soundscape of the album, Vile's sophisticated and distinctive guitar style, how Vile disguises the sophistication of his music with his 'slacker rock' image, and how the album influenced Ed's approach to guitar, arrangements and lyrics in the years since. 

We kick off our tenth anniversary year with ARIA-winner Mia Dyson, who joins me to talk about the soundtrack of the iconic Talking Heads concert film 'Stop Making Sense'. We talk about wearing out VHS tapes in the pre-streaming era, the contrast between the band's musical eccentricity and austere aesthetic, why the film is the perfect entry point for new Talking Heads fans, how the show builds from David Byrne solo acoustic to the full expanded band extravaganza, Byrne's obsession with deconstruction, how the analogue staging and filmmaking techniques have kept the film timeless 40 years later, the overriding joyousness of the performances despite the contentious interband dynamics, the unconventional choreography in the show, the earnest emotional core behind all the weirdness and Mia's NYC David Byrne sighting. Mia talks about how this music gave her permission to be herself in her own music, different concepts of authenticity and how Talking Heads influenced her 2018 album 'If I Said Only So Far, I Take It Back', and her approach to vocal performance and revisiting abandoned material for her new album 'Tender Heart'.

It's that time of the year again.... we are signing off for 2023 with a blockbuster episode celebrating the best movies to hit cinema screens in the past 12 months. Joining me as usual are filmmaker Charles Hood and film journalist Drew Taylor, hosts of the legendary Light the Fuse podcast. Strap in a for an epic celebration / discussion / fight about a bunch of movies you should go seek out if you haven't already seen!

Today it's My Favorite ALbum, as Melbourne singer-songwriter Al Matcott is bringing it all back to Bob Dylan and his underrated (?) 1978 album 'Street Legal'. We talk about how he found an emotional connection with the album around his mother's passing, how it inspired him to seek out a tarot reading, how the album bridges Dylan's confessional and Christian periods, which song is like a 'seedy bar but Jesus is hanging out there', speculate about Springsteen's influence on the album's sound, the curse of 80s production, Al tries to get himself tarred and feathered by the MFA audience, Dylan's influence on Ginuwine, Dylan's rotating schticks, whether Dylan invented Americana music, what Dylan's best riff is, pitch a sequel to Todd Haynes 'I'm Not There' and speculate about James Mangold's upcoming Dylan film starring Timothée Chalamet.    

Today we present a fun and rollicking chat with Gareth Liddiard, frontman of Tropical Fuck Storm and the Drones and master anecdotalist. Gareth joins me to bring some sunshine to a brilliant and under-appreciated record by Spencer P Jones, the legendary guitarist and singer/songwriter originally from NZ who made Australia his home for most of his career. The twist is that Gareth played lead guitar on this record, Spencer P Jones and the Nothing Butts and has the inside story on the album's creation, how the songs came into being and the one of a kind mind of Spencer P Jones. From standing in the crowd in Perth while his sister throws a beer bottle that narrowly misses Spencer to meeting him at an early Drones gig in Melbourne to become friends, frequent tour mates and collaborators in the studio, Gareth opens up about his relationship with Spencer and shares some hilarious stories about one rock'n'roll's true eccentrics, involving earthquakes, scorpions, blood spattered amps, Nelson Mandela and Joe Satriani. 

Today ARIA winning singer-songwriter Fanny Lumsden joins me to delve into a seminal record of both our youths - The Chicks’ final country album, 2002’s ‘Home’. We talk about the album’s forgotten origins in the midst of a legal battle with the band’s record label, how they fused their bluegrass background with contemporary country and pop songwriting, how they used songs written by Patty Griffin, Darrel Scott and more to communicate their point of view, how Fleetwood Mac’s ‘Landslide’ was given a new lease on life by its inclusion on this album, “show off songs” and how the album influenced Fanny’s development as a young woman.

One of this year’s most pleasant surprises has been the first album of original material since 2005 from The Rolling Stones - Mick, Keith, Ronnie, Steve and on this album, Charlie and even Bill. Producer/songwriter/musician and friend of the show Michael Carpenter has spent a long time dissecting the Stones recorded catalogue and joins me today to go track by track through Hackney Diamonds and unpack this fascinating album - the impact of Steve Jordan on the band, whether it’s fair to compare a new Stones album to their 70s hey day, how they balance contemporary and traditional production, Jagger’s ageless vocals, mature lyrical perspectives and the guest appearances by Elton John, Lady Gaga, Stevie Wonder and Paul McCartney.